Wednesday, May 02, 2007

The Inevitable Backlash Sex for Safety EP art by Emy Storey!


Our favorite artist and past interview subject Emy Storey is keeping busy! Looks like she has done the cover art from a new band "The Inevitable Backlash" for their debut "Sex for Safety". I downloaded a track on Itunes, but decided to buy the CD to get the full Emy treatment. Is anybody else SUPER EXCITED about what she has up her sleeve for Con??? Reviews below...

75 or less "The Inevitable Backlash features former members of Saccharine Trust and the Rollins Band and sounds like late 80's SST bands like SWA and DC3. Close to a late-era Naked Raygun crossed with a touch of rock. "Le Fou Rire" starts off with some Greg Ginn-ish guitar licks before kicking the tempo up a bit. Fast driving riffage and one acoustic number—in total, five songs just under 13 minutes recorded live without any overdubs. Bring on the full length." and good word from Treble "Chugging, distorted guitars? Check. A snarling vocalist? Check. A drum beat that hits like a concrete block to the skull? Check. From the first few seconds of "He Never Left," the opening track on The Inevitable Backlash's new EP, the band makes their mission quite clear—to rock you hard, slap you around, steal your beer and maybe break a couple windows. It's not a complex sound, nor one that hasn't been covered a hundred times before, by the likes of Nirvana, The Stooges, The Sex Pistols...you get the idea. But if the formula worked so well the first time, why mess with it? These five tracks do no such thing, but hey, they don't have to."
The Inevitable Backlash Wikipedia Page oh the inevitable backlash twitter page craziness

Sanctuary Closing, Could this affect Tegan and Sara and Vapor?

Yikes!! From Pitchfork...

The American home to Morrissey, Idlewild, Tegan and Sara, Jonny Greenwood's reggae comp, and more, England's Sanctuary Records Group will soon cease its front-line operation in the United States and focus exclusively on catalog releases. This is according to a Billboard.biz report and confirmed by a spokesperson at the imprint. UK operations will presumably continue as before.

Ex-Cranberries frontlady Dolores O'Riordan's Are You Listening?, out May 15, will likely be the label's final new release in the U.S. Meanwhile, the status of Tegan and Sara's latest LP, The Con, is unknown at this time. That record was slated to come out July 24.

As of June 30, the label will shift focus entirely to its catalog-- which, according to a Sanctuary spokesperson, will include both existing titles (including the Wedding Present, the Pentangle, Joe Meek, and more) and future reissues. The Sanctuary Records Group umbrella includes the Attack, Castle, Trojan, Vapor, and Fantastic Plastic sub-labels, among others.

Tegan and Sara THE CON July 24th 07. YAY!!!

friends,

our new album, "the con", will come out july 24, 2007. i'm crossing my fingers that you'll like it. love it. adore it. etc.

here is a track listing:

i was married
relief next to me
the con
knife going in
are you ten years ago
back in your head
hop a plane
soil, soil
burn your life down
nineteen
floorplan
like O, like h
dark come soon
call it off

********************************************************************************************
ill send out a bulletin in the next few weeks about tour dates. small shows. (like really small) and lots of in store performances at great indie record shops.

remember those?!

stores where you buy cds!!!!!

ohhhhh those were the days.

these small shows will happen in july and august on the west and east coasts of canada and the usa.

soon after that, we'll release the dates for our big north american tour happening in september and october.

then we're off to the UK and australia and japan, and anywhere else that you want us to be.

in the meantime you can start practicing clapping over your heads. you'll need to strengthen your arm muscles for the shows.

please check out ee storey's fancy work at www.teganandsara.com (remember band websites!!!!!)

one last thing. i hate spam. i am personally going in and erasing every god damn one, and its taking FOREVER. so if you are normal and just sending normal happy messages that don't include pornographic photos, or self advertising propaganda, or annoying rude dispatches, or advertisements for god damn phones and gift cards, then i will eventually get around to adding your comment. we really do appreciate them, and know that you like to see your letters spelt out on our page. so, hang in there buddies.

friends forever,

sara

Wednesday, December 13, 2006

Tegan and Sara's New Album Has a Producer!!




There are a couple of reasons why indie rock sounds so good right now and one of them is Chris Walla.

The guitarist for the Seattle outfit Death Cab for Cutie has produced albums for Hot Hot Heat, The Long Winters, Nada Surf and, most recently, The Decemberists.

Walla took what he learned from producing Death Cab albums and passed it along to other bands, creating indie rock nirvana in the process. Nada Surf’s The Weight is a Gift was surprisingly good and The Decemberists The Crane Wife is on the way to becoming one of the best albums of the year.

And it’s all come from Walla, a friendly vegetarian with a passion for voter registration causes during his free time.

“If you had asked me five years ago if I wanted to produce full time, I’d say yeah, just to get me the fuck off the road,” Walla said. “Now I’m at a point where I don’t really like one more than the other. I do wish I had more time to produce since I’ve had to turn down a lot of things.”

Right now all his time is with Death Cab as they take their final tour in support of last year’s Plans, the band’s successful major label debut.

At the tour’s end, Walla will be heading back to the studio to produce the new Tegan and Sara album in January. Then it will be time to put the final touches on his first solo album, which is slated to come out in August of next year.

Yet amid all the good music, purists have questioned whether bands like Death Cab and the Decemberists have sold out – pointing out that their most accessible music in years comes at the heels of joining a major label.

“We wouldn’t have moved to Atlantic if the decision wasn’t unanimous,” Walla said. “It took a long time. We had decided before we recorded Transatlanticism that it was something we wanted to pursue if the door opened. It had to be the right deal.”

So far that deal has been working. The tour has been a success. It will finish up in the band’s hometown of Seattle at Key Arena, the city’s professional basketball arena.

It’s definitely a high point for Walla and Death Cab – to play in the arena where they each saw so many of their favorite bands growing up. For Walla, it was The Cure, a band that taught him how an album should sound.

“You have to commit to Disintegration,” Walla said. “The first song feels like an invitation and the last song feels like the band leaving the stage. And everything in the middle is placed so well and carefully.”

Walla takes this same approach today and makes sure to have the running order (the song placement) of the album before any recording takes place.

“One of the most important things for records is some sort of arc, from beginning to end,” Walla said. “I love, particularly in the iPod age, the idea of a linear record. It starts and takes you some place else.”

As for the band, Walla doesn’t feel like there is a definite destination for them.

“I still don’t have much of a sense of what we’re doing,” Walla said. “It’s been a state of suspended animation for the last six years.”

Tuesday, November 14, 2006

New Tegan and Sara Album Info!!! YAY!!!




Tegan and Sara have started work on their next album.

Tegan Quinn revealed that her and her twin Sara are at work on the follow-up to 2004's So Jealous (Vapor/Sanctuary) (read Aversion's review). The duo imported Death Cab for Cutie's Chris Walla to Montreal to man the boards as the album comes together. No title or release date for the album has been revealed.

Sunday, October 22, 2006

Has Tegan Always Wanted to Be a Musician?


From the great "Three Imaginary Girls"

TIG: Hi Tegan. Have you always wanted to be a musician?

Tegan: No. Up until I was like seven I wanted to work at McDonalds, and then I wanted to be a veterinarian. My mom's a therapist, so I wanted to be a therapist for a long time. She worked for a center that helps women who were just about to lose their kids; she helped them get their shit together and keep their kids. For the last eight years she's worked with this privately-run feminist group that helps integrate high risk teenager girls between the ages of 12-17 back into the school system by teaching them life skills. That always fascinated me. My mom is very passionate.

I'm only a musician by default, really. I was never really good at anything else. My last couple years of high school I was just like, "What the hell am I going to do?" because I had slacked off so much, I didn't get that good of grades. I was an average student. My mom was like, "You have to get into university." I asked if I could take a year off. She said okay, and we started playing gigs around Calgary. We won this contest and they gave us some money and we got a demo deal through Universal, and then we started touring.

We put a bunch of money into a record, borrowed money, and all of a sudden — we're here. It was a snowball. It wasn't a dream, but I totally love music. I always wanted to be in a band, but I didn't necessarily think that it was ever realistic that it would become a job.

TIG: Who was your favorite person to open up for?

Tegan: Overall I would have to say Ryan Adams because he came out every night and played five songs with us. He was so good to us, and was so funny. A week into the tour, he put books and CDs — Black Flag, Replacements — all over the monitors. He was really involved with us while we were on tour.

But touring with Neil Young and the Pretenders that was a lot of fun. Those kind of moments aren't my favorite artistically though, because there's not much gratification in playing 25 minutes in a amphitheatre filled with people wanting to see Chrissie Hynde or Neil Young. But it's cool to look back on years later. We didn't even take pictures while we were on tour or anything. I don't have any pictures and we did a month of dates with them. It's only lives in my imagination.

TIG: When was the last fight you and Sara got into?

Tegan: Oh, about an hour ago? {laughter}

She's been in a fucking terrible mood all day. She borrowed a bag of mine and I told her "I want my bag back. Put your shit in that broken rolly suitcase..." Fight ensued because she believed I was giving her attitude and that I'd been patronizing her all day. I told her she's been in a bad mood all day and she said, "You're in a bad mood all of the time." And then I asked her for a shirt or something and she said "If you fucking ask me one more thing, I'm going to fucking punch you in the face," and I said, "If you touch me, I'll throw you into traffic and I'll punch your fucking head in" or something like that. And our manager was like "Ok girls, take some time apart." And I was like "Yeah, that's right." {laughter}

TIG: Does your manager wear a black and white striped shirt?

Tegan: Yeah, he should. We tend to only fight when we're stressed out. We are stressed out right now. It's been a long couple of weeks. Sara hasn't been home in a month. The record just came out and we start touring on Sunday again, so we only have a day off and Sara's going to be flying. Whatever. Our life is one big nightmare.

TIG: I love how she's not here to defend herself.

Tegan: Exactly. If she were here it would be the exact same story except for she would tell it in a sympathic way. I'm trying to be unbiased. I was a bitch too and she was in a bad mood all day. She didn't want to participate. She even said that to me, "I don't feel like doing this today." She said she wishes she could just blow everything off and go home, and that bugs me. Her priorities are different than mine — not that she doesn't like or enjoy or want to be a part of music as much as I do. She just sets different boundaries than I do. She feels that in order to have space away from music she has to actually be apart from it and apart from me and I'm not quite feeling like that. On a day like today she would probably blow it all off.

TIG: What's the biggest difference between you two?

Tegan: Well, our whole lives people always thought that Sara was extroverted and I was the introvert. But I think Sara is actually quite shy and reclusive and independent and she likes a lot of time on her own. They say that there's always a twin that doesn't want to be a twin and one that's fine with it. And Sara speaks singularly; she never speaks plurally, even if I'm there. She won't be like, "Me and Tegan went to do this" she'll be like, "Oh yeah, this one time, bla bla..." and I want to jump in, but I know if I jump in, then she wasn't able to tell the story from her perspective. It's like a lack of independence.

She doesn't want to have to share everything with me. I totally sympathize. I've just come to terms with it, and I almost find comfort in knowing I have a partner no matter what. I'm sure on some level she does too. But, I'd say that our biggest difference is just that. She's very independent and I'm happy being part of the group kinda thing.

She used to be the one to scream and push when we got into a fight, but now I'm the one more likely to do that. Now she's the one to pull back and be inside and be upset about it. I don't know when that happened. I guess it was a couple of years ago. I think that's actually more her real self. She needs a lot of Sara time. We've gone to a couple of different therapists. We went to therapy the whole time we were making this record. He's done sessions with a bunch of different sets of twins and he said there's always one that needs their own space. Hearing that was a lot better than hearing the other perspective which is "I hate you" and "you embarrass me". It's easier to just hear "Sara needs Sara time". And I know I can be overbearing too, because I have a million things going on inside of me. I don't balance music and personal as well. Musically we do the same thing; Sara takes a long time to write her songs. She perfects them and is more about the whole vibe not just the lyrics. I'm really quick.

TIG: Since you live away from each other, do you use the internet to write songs?

Tegan: Sara has a computer to record, but not the internet. So for a while we were FedExing stuff back and forth, and it was very frustrating. But that was really cool. It was cool to know that we could do it alone.

TIG: And you got mail all the time.

Tegan: {laughs}Yeah, and I got mail all of time. And it was cool because before if I had a new song, I couldn't resist the urge to play it for her right away. Now when I write a new song, I have to send it. A week later you get it and you pop it and you hear a song you've never heard before and you're instantly a fan of it — and you get excited because you get to play it.

TIG: So when she sends you something, is it pretty finalized? Do you take ownership over your individual songs?

Tegan: Yeah, we do. We have stuff we each want to contribute to the other's songs, like fixing the arrangement, making it shorter, or those kind of suggestions. We do that, but we never record on each other songs. Well, when we get into the studio we did a bit, but because we develop the songs so much prior to actually getting into the studio, it's much easier for Sara to play the weird guitar parts she came up with herself rather than having me learn them just so I can play them. So it's kind of a mix of Tegan and Sara.

Most of our record it's not even Sara singing on my songs or me singing on hers. It's just us doing our own vocals. I mean, our band is Tegan and Sara and we perform the songs live and we contribute to each others songs. Like if I can't get a harmony for some reason, she'll jump in and do it. And same with guitar — I'll sit there while she's recording her guitar and try to whittle something out. If I find something cool, like "Walk As it Goes" — a lot of guitar parts on that song are mine, but that's Sara's song. So we really come together on the road. Prior to that we are like two separate people writing a record together.

TIG: That way you get the best of both worlds

Tegan: Yeah, you have this person you trust no matter what to produce the songs. Like Sara will tell the band kinda what to do because I can't be worrying about that when I'm playing and singing. It's hard to hear what everyone else is doing. Sara will be my outside ear. We do work together. Generally it's a very independent process for us. It works better that way... less fighting.

TIG: Do you have any other siblings besides Sara?

Tegan: Nope, there's only two of us. I suppose we may have other siblings, we just haven't met them yet.

TIG: Who's older?

Tegan: I am, by eight minutes.

TIG: Did your mom know she was going to have twins?

Tegan: Yep, she did. They had my name picked out, but they didn't have Sara's name picked out. When she checked into the hospital the woman that was sharing the room with her was also having twins and we were all born within the same half an hour... same 28 minutes, actually.

TIG: To shift topics... we're sure you're aware that we're coming up on a Presidential election in the coming weeks. Do you have a powerful conservative Christian movement in Canada?

Tegan: Sure. In June, I was in Calgary for our elections, and I made my grandparents go vote for the NDP, which is the new Democratic Party. It's basically as far left as you'd want to go before getting into Communism. On the ballot we had the Communist party, the marijuana party, the Christian coalition, NDP, the Democratic party, and the New Conservative party. And the New Conservative which almost got into power, which is really sad. The New Conservative party is led by this man, Steven Harper. He's basically our Canadian version of George Bush. He was basically going to open the floor to a free vote for abortion, gay rights, gun laws and put all this money into the military. We have a minority government now.

Yeah, so things are really changing in Canada as well too. Sara was very involved in the election, handing out flyers in the streets in Montreal and doing interviews, unbeknownst all of us on the West Coast. I got forwarded an email from like the Ottawa Sun or something that Sara was doing all of this anti-Harper stuff. So yeah, there's totally a movement for that sort of thing. As much as people talk about Canada being so much better than the states as far as politics or education or bla bla bla, we are very conservative as well.

TIG: Oh no! But we're counting on Canada!

Tegan: We're very conservative, but only to the point where we never have a right government either. We ride the fence every election, without fail. But we're just always going to have a liberal government. I can't imagine actually having either party. We'd probably be liberal, and liberal just means major chaffing. It's just like constantly riding the fence; we just can't make up our minds about anything — but that's Canada, in my opinion. But that's great because it leaves a lot of room for movement either way.

I grew up in Calgary, and I never thought of it as redneck, sexist, racist, homophobic, but I've heard this things said about it. But then, I grew up in a single parent family with a feminist mom who worked at all these incredible organizations that had us out at womens day marches when we were eight and was really supportive of us being gay, so I obviously grew up in Mars or some other incredible place.

So I think Canada is probably a lot like the States in the sense that you can find little pockets of openness and greatness and all that other stuff. But there's still the shit too. But definitely if George Bush gets back in, you're all welcome to stay at my house.

Saturday, October 07, 2006

Tegan and Sara Producer Howard Redekopp Strikes Again at Warehouse Studio




Gauntlet Entertainment - Spun: Lotus Child

Like a sloppy first kiss, Lotus Child's sophomore album flirts with greatness at times, but ultimately falls into limbo somewhere between "outstanding" and "okay." Gossip Diet is a competent combination of unchained, confident instrumentals and endearing vocals, but is tainted by over-complicated lyrics on a few tracks.

Upbeat tracks like "Lids" and "Archaeologists" show a goldmine of instrumental potential complimented by toe-tapping rhythms. Unfortunately, a few lesser tracks tend to be bogged down by obscure references only understood by the band or freakishly-obsessed groupies.

Fresh out of Vancouver, Lotus Child credit their musical inspiration to bands like Muse, Spoon and Arcade Fire, but the end result is a hybrid of generic indie-pop that doesn't really stand out. Backed by the renowned Warehouse Studio and producer Howard Redekopp (Tegan and Sara, New Pornographers, 54-40), Gossip Diet, with its yin and yang hodge-podge of transcendent and merely-listenable tracks is able to achieve true musical balance: mediocrity.

Monday, October 02, 2006

Our favorite Sara, From Tegan and Sara Blogs her heart out!


BIG news from sara and other tidbits

hello friends,

tegan and i have exciting news!!! our first album, "under feet like ours", is now available on maplemusic.com!!!!!

there are a limited number of copies available, and once they sell out we will be re designing the packaging. which means these will be collectors items!!!

also...kate bornstein's new book "Hello, Cruel World: 101 Alternatives to Suicide for Teens, Freaks, and Other Outlaws" is up for sale on our page at maplemusic,com i wrote the foreword for the book and i think you should definitely check it out.

and coming very soon- our winter/holiday merch! including new hoodies, t-shirts and gym bags designed by emy at eestorey design. they are soooo cool, i swear i wear them underneath my real clothes.

in music news:

tegan and i are officially in pre production. we have a trillion and a half songs written and in the coming weeks ted gowans will be summoned to montreal to "jam" with us.

when the gillion or so songs have been whittled and wanked to perfection, we will head to portland to start work on the new album with chris walla. chris plays in the band death cab for cutie, and we are very excited to have him on board.

we hope to have the new album out sometime in late spring early summer. and we will be keeping you posted on songs, titles and artwork.

in un related to merch or music news:

tegan has been cooking up a storm, and if music doesn..t work out she has suggested she may go back to culinary school. much of our spare time has been spent watching
nip/tuck. i recently read ' a personal history" by jonathan franzen and cant wait for richard ford's final book in his trilogy about fictional sportswriter, Frank Bascombe. i find my ears are very sensitive these days, but sometimes i play the new tv on the radio or kaki king softly in my ears before bed.

bridges falling, ice caps melting, shootings...

stay safe friends,

sara

Sunday, October 01, 2006

Tegan and Sara Contribute to America's Newspaper


Shuffler: Tegan Quin, Canadian, twin sister, and the somewhat chattier half of playful guitar-pop duo Tegan And Sara.

Tegan Quin, "One Second"

Tegan Quin: This is a new song that I wrote. I call it my Prince song, because it's pretty breathy. It's kind of whiny. I have this big house that I was renting, and I was going to lose that, so I moved in with a friend of mine from high school. She's a painter and doesn't have a job, and I'd write music all day. Every time I stopped recording, I'd hear her downstairs singing along with me, which was horrifying, because it meant that she could hear everything I was doing. But then I realized I was making her a really big fan. [Listening.] I'm writing about being a loser. I actually really like this song. I write a lot of music, so I'd say that 75 to 80 percent of my songs are crap, and it's just a matter of finding the right people to make sure that the crap gets weeded out and the good stuff gets on the record. But this song is actually pretty good.

Cake, "No Phone"

TQ: I just toured with them. I like Cake—they remind me of when I graduated high school. Over in the UK, they're major, but over here, they're what I would call a mini-major. Sara and I just finished two years where I think we took that leap and made the next step, but at the same time, it's like, at what cost? We never projected that we wanted to be famous, or a really well-known band, we just wanted to make music that we really like. Can you do that as a mini-major?

Something that I appreciated about touring with Cake and the last record they did is that they're still doing the same thing. They're still doing the music they want, no matter what label, no matter what else. They're still making music that they want to make, and they're really happy with it. They were making music when we were all in diapers, practically. I know a lot of friends from that area where they started, and they remember the first Cake shows, and a lot of music came out of what Cake was doing, like rap-So-Cal-surf kind of music. I think that [Cake frontman] John [McCrea] is so intelligent, and everyone in that band is so amazingly talented.

My first serious girlfriend was really into Cake, so it's sort of a love-hate thing with them. Sometimes it leaves this weird taste in my mouth when I think about it. It totally reminds me of high school.

The Be Good Tanyas, "Up Against The Wall"

TQ: I love The Be Good Tanyas. They're a Canadian band out of Vancouver. They put out a record five years ago—great record. They had some really heartbreaking stuff on it. I got the record because their manager manages another Canadian star who's a friend of mine who's also really talented and really great. It's kind of bluegrassy and poppy. I overplay that record.

I got dumped, and the person that dumped me changed their phone number, which is like a total loss of control. Which, like, fucking sucks, because you can't get on the phone and be like, "Fuck you." And this was, like, before email, at least in my world. So this record was just full-on screaming. Seriously, when I was like 14 or 15, I would say, "I wish there was a band that just fucking screamed. Not like heavy metal, but like regular pop music that just fucking flipped out. So I could be like, 'I don't feel good,' and I could just put my headphones on and listen to it and really feel it."

Green Day, "Longview"

TQ: I would have been 14 when this record came out. So Dookie came out, and for my first real concert—I'd been to New Kids On The Block and Bruce Springsteen with my parents—but when it came out, I thought it was such a rad record. Even now when I listen to it, it's like, so good, full of energy and life. About a month after I found out about Green Day, I found out about Smashing Pumpkins, and I never really got into them. I always thought Green Day was really awesome. I went to all the concerts, and my boyfriend at the time—he's gay now too—and the two of us, like, linked arms, and he's like, "Don't let me go!" It was kind of sweet and sensitive, and we held onto each other the whole time. I still like this record. I don't have a lot of stuff on my iPod, so pretty much everything I have, I like a lot.

Brendan Benson, "Spit It Out"

TQ: The Alternative To Love—good record. I just ran into him, he's so cute and little. I really like his record. I think he's totally underrated. I've always read the press on him, and it's always really positive, but I don't think it's glowing. I kind of relate to him in a lot of ways, where we get this consistent amount of press where people are like, "Yeah, it's good," but there's no huge hype. I think he deserves a lot of hype, because he's a good writer. When you look through his history, he's been through the whole train. He knows everything. He understands a lot of stuff going on in the industry that a lot of people don't. He's not a fool at all. You know how they say that if you like someone, you like their music? Well, when I met Brendan Benson, I already liked his music, so it was impossible not to fall in love with him. His last record had this song, I forget what it's called, but it would just be perfect if I could change some of the lyrics. I hate that he's not a huge famous star.

Razorlight, "Up All Night"

TQ: I'm not going to go so far as to say that this is a guilty pleasure, because it's not, it's a really good record. There are some really good songs on it. I saw them on Letterman, and I didn't really get it. I like his voice. The production is interesting. They seem really sweet.

I am really resistant to certain UK bands that I won't name, that are drug addicts and alcoholics, because I don't think it's cool that they get to be popular, because so many of us are working so hard, and we're not drug addicts and alcoholics. It would be so much easier if we were, but we're not. And they're actually really sweet. And I've heard they're really good live, too. Some of their songs are really good. I like the production. I like them, I feel like they're my friends.

"Ryan Adams' booking agent was putting together a tour and Ryan compiled a list of artists he'd like to tour with. We were second on the list," laughs Tegan, half of the sibling duo Tegan & Sara. "The first person on the list was pregnant, so we got it."

Tegan is quite happy to elaborate the call she initially received from Adams, a moment she will never forget, and how Tegan & Sara landed a recent U.S. tour supporting Ryan Adams.

"His manager called our manager and then Ryan called us. He knew the record," she says with excitement. "We shared the same publicist a few years ago and he got our first record and wasn't blown away. But when the second album came out, he checked it out and loved it. When (Adams) called, he named all of the songs Sara had written, like 'Underwater' and 'Monday Monday Monday.’ I told him he should talk to Sara because he was obviously a Sara fan because he didn't name any of my songs.

"So he asked which songs were mine and I yelled, 'All the ones you didn't name!'" Tegan continues, half screaming, half laughing into the phone. "It really broke the ice, I think."

The Canadian-based twins, who have been writing together since they learned guitar, have been playing out as Tegan & Sara since the 2000 release of This Business of Art, their first commercially released full-length on Vapor Records. Prior to This Business of Art the duo self-released a full-length under the name Sara & Tegan, Under Feet Like Ours, which ended up getting them signed.

"Literally two months before we got signed, we had decided to go into the studio and record a new record, the follow-up to Under Feet Like Ours. We recorded This Business of Art," recalls Tegan. "Then we got signed and handed Business over to the label, expecting them to tell us it was good, but it could be better, and then putting us in the studio to record a new record. But they loved the record and agreed to put it out."

Thus began Tegan & Sara.

"This Business of Art didn't play well live," Tegan informs me. "The difference between the new record and Business is the fact that we can play the new one live a lot better. The new record has a lot more confidence."

A lot of that confidence is due to the fact that their label, Vapor Records, was completely hands-off, allowing the girls to create the exact record they wanted to make, checking in only periodically to make sure the girls were happy with the record the record they were making.

"We called and said we were ready to start recording and they said 'OK'," laughs Tegan. "They came into the studio halfway through the recording and said 'sounds good'. Then we called them and said we were ready to master it."

Displaying their punk sensibilities in a folk-pop mold, Tegan and Sara stretch the boundaries and perceptions of folk, and pop for that matter, creating a masterpiece in If It Was You, their sophomore effort, and first for Sanctuary. Using their two distinct writing styles to add different dimensions to each other's playing styles, the two girls create a lush arrangement of sparse moments complimenting a much fuller sound.

"If It Was You isn't about doing things we didn't do on Business. Things just started snowballing and getting bigger and better," Tegan tells me. "There are major differences in the way Sara and I write. But on the new record it's more of a band effort. Less Sara & Tegan separate and more of us writing and working together."

The two, who admit to drawing better in Canada than in the U.S., with the exception of the East Coast, are set to embark on a West Coast tour the first part of 2003 to further expand their fan base. Their plan is to keep hitting reliable markets while trying to develop other strongholds in the process. Look for them on the road throughout the first and second quarter of 2003.